Givenchy Fashion Show – Haute Couture Fall / Winter 2011-2012

At Givenchy, the Japanese goddesses January succeed this season a myriad of sophisticated angels, evoking a white paradise in the blinding beauty. Between modernity assumed, know-how fragile exception and sexiness, Riccardo Tisci took the opportunity once again to develop its own vision of haute couture …

While for most designers, couture generally synonymous with spectacular show, multiple passes and most sumptuous toilets and portable, it is a delicate dressing room, controlled and reduced to the essentials that Riccardo Tisci imagine season after season.

Consisting of only ten toilets (which allowed the rare elected length admire their countless details ), the collection presented in early July in a former palace of the Place Vendome shone by its almost futuristic grace and his aura infinitely poetic.

Between beadwork marvelously capturing light, ultra-dense plumage, subtle gradations and shades of cream tulle petals evokes the scales of a bewitching siren, Givenchy DA has thus succeeded in imparting a deep intensity to the palette of colors snow.

Not to mention its ability to mix with about evanescent light and quotes a bit goth’, then component of neo-romantic toilet much more sensual than it seems at first glance. Each creation is missing in fact never mâtiner baroque inclinations shameless transparency …

And if all these potential wedding dresses have all benefited from hundreds of hours of work in the purest tradition of French Haute Couture, Riccardo Tisci did not hesitate however to hustle some codes by gossamer lace and coexist oversized zips basics, the latter replacing the refined closures used ordinarily.

Between tradition and audacity, subtlety and bias risky, Riccardo Tisci offers us once again an especially captivating couture presentation …